George Seurat - Scientific Impressionism
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A 3 page essay on George Seurat-- a French neoimpressionist painter from the late 19th century. The writer analyzes Seurat's work, technique, & style,-- arguing that he represented 'the ultimate example of an artist as a scientist.' Several of Seurat's paintings are discussed. No Bibliography.
Filename: Seurat.wps

A Comparison of Two Italian Renaissance Paintings
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A 5 page research paper that compares two Renaissance works ñ the painting on the Sistine Chapel ceiling by Michelangelo and 'School of Athens' by Raphael. The writer argues that both of these works display the Renaissance fascination with ancient Greek philosophy. Bibliography lists 5 sources. 99mic&ra.wps
Filename: 99micrap.rtf

Renaissance Technology / Art Forms
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A 7 page paper that explores the development of sophisticated ceramic forms. During the Renaissance, a form of pottery called maiolica was developed. It became very popular among all classes because the undecorated pieces could be purchased by people outside the aristocracy bringing at least a semblance of equality. Also discussed is the Saint-Porchaire pottery, a very different kind of piece. Bibliography lists 7 sources.
Filename: PGpttry.wps

Human Nature in Renaissance Art
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A 20 page paper describing the view of human nature on renaissance art. The writer describes the Renaissance belief in humanism and its effects on the view of human nature and how this is portrayed in art of the time. Bibliography lists 10 sources.
Filename: Renaissat.rtf

Michelangelo's Contributions to the Renaissance
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A 6 page research paper that critically analyzess the life and selected works of the Italian artist Michelangelo. Michelangelo's contributions and influence on Italy and the Renaissance period are discussed, with particular reference to his sculpture, ‘David', and his painting in the Sistine Chapel. Bibliography lists 5 sources.
Filename: Michren.wps

The Renaissance & Humanism In the Art and Music in San Marco, Venice
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A 12 page paper that provides a comprehensive overview of the significant features of the art and music of San Marco, Venice during the Renaissance era and considers the relationship between the art and the ideal of humanism. Bibliography lists 7 sources.
Filename: Venicen.doc

Renaissance Art: Distinctions Between Pope and Nobleman
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An 8 page discussion of the similarities and contrasts of portraits of the Renaissance period. Contends that while the Church was a driving force in the art of the period, the distinctions between the portraits of Popes and noblemen are subtle. Equates the similarities as being a result of the familial backgrounds of many of the popes who were from the prominent families of the day and consequently walked a fine line between papal direction and societal status. Bibliography lists 3 sources.
Filename: PPpope.wps